{"id":88655,"date":"2023-12-03T10:49:28","date_gmt":"2023-12-03T08:49:28","guid":{"rendered":"https:\/\/www.lovendal.ro\/wp52\/?p=88655"},"modified":"2023-12-03T10:49:28","modified_gmt":"2023-12-03T08:49:28","slug":"marele-poet-toparceanu-isi-dezvaluie-o-parte-din-secrete-intr-un-interviu-memoriabil-din-1926","status":"publish","type":"post","link":"https:\/\/www.lovendal.ro\/wp52\/marele-poet-toparceanu-isi-dezvaluie-o-parte-din-secrete-intr-un-interviu-memoriabil-din-1926\/","title":{"rendered":"Marele poet Top\u00e2rceanu \u00ee\u015fi dezv\u0103luie o parte din secrete \u00eentr-un interviu memoriabil din 1926"},"content":{"rendered":"

\"\"<\/a>Autor al „Baladelor vesele \u015fi triste”<\/strong><\/em>, dar \u015fi a altor opere literare cunoscute, George Top\u00e2rceanu a fost un poet, prozator, memorialist, publicist \u0219i traduc\u0103tor rom\u00e2n printre cei mai de seam\u0103 ai literaturii noastre. A fost c\u0103s\u0103torit, dar c\u0103snicia sa se va destr\u0103ma, ulterior el av\u00e2nd o poveste de dragoste discret\u0103 cu poeta Otilia Cazimir.<\/p>\n

Am g\u0103sit \u00eentr-un num\u0103r din revista „Adev\u0103rul literar \u015fi artistic”<\/strong> din 1926 un interviu cu George Top\u00e2rceanu, \u00een care putem vedea o alt\u0103 fa\u0163\u0103 a poetului. Interviul a fost luat de prietenul lui Top\u00e2rceanu, Demostene Botez. Am extras cele mai importante pasaje din acel interviu \u015fi s\u0103 vede\u0163i ce-a ie\u015fit…<\/p>\n

\u00centrebare:<\/strong> Cu ce te mai ocupi, \u00een afar\u0103 de literatur\u0103?
\nTop\u00e2rceanu:<\/strong> Cu c\u0103r\u021bile.<\/p>\n

\u00centrebare:<\/strong> Ar fi interesant s\u0103 se \u0219tie: cum tr\u0103ie\u0219ti?
\nTop\u00e2rceanu:<\/strong> Tr\u0103iesc absolut liber. Nu m\u0103 simt legat de mediul ambiant \u0219i de realitatea social\u0103 prin niciun fir ombilical, care s\u0103-\u0219i merite \u00eentr-adev\u0103r epitetele. \u0218i nu scriu dec\u00e2t sub imboldul unor inspira\u021biuni poetice exagerat de acute. (…) C\u00e2nd m\u0103 ajut\u0103 norocul s\u0103 prind din v\u0103zduh \u0219i s\u0103 fixez pe h\u00e2rtie c\u00e2te o strof\u0103 mai agreabil\u0103, am impresia c\u0103 ea a preexistat \u00een univers, \u0219i nu-mi g\u0103sesc niciun merit. M\u0103 consider, cum a zis \u0219i altul mai demult, doar „organul \u00eent\u00e2mpl\u0103tor prin care poezia se manifest\u0103”. Sunt gata s\u0103 cedez oricui, pentru bani sau pentru alte avantaje apreciabile, dreptul de a isc\u0103li cu numele lui \u0219i de a publica oricare din produc\u021biile mele inedite. \u00cei garantez pe cuv\u00e2nt o reputa\u021bie literar\u0103 onorabil\u0103, discre\u021bie des\u0103v\u00e2r\u0219it\u0103 \u0219i onestitate comercial\u0103 irepro\u0219abil\u0103. Numai s\u0103 nu-mi pretind\u0103 \u0219i pe dos, adic\u0103 s\u0103 isc\u0103lesc eu ce-a scris el \u2014 fiindc\u0103 nu vreau s\u0103-mi pierd clientela.<\/p>\n

Primesc orice comand\u0103: roman, nuvel\u0103, poezie sentimental\u0103, cu sau f\u0103r\u0103 lun\u0103. Pentru poezii moderniste \u00een versuri libere, fac reducere (…) Oferta mea se potrive\u0219te de minune cu concep\u021bia pe care statul, adic\u0103 societatea, o are despre scriitor \u0219i despre activitatea scriitoriceasc\u0103. Important e opul literar, nu persoana care-l produce. Literatura, f\u0103c\u00e2nd parte din civiliza\u021bia unui popor, trebuie s\u0103 aib\u0103 oarecare importan\u021b\u0103. Dar oamenii care o produc, n-au niciuna. Scriitorul e de dou\u0103 feluri: viabil \u0219i neviabil. Pe cel din prima categorie, societatea \u00eel onoreaz\u0103 destul dup\u0103 moarte, ca s\u0103-i mai dea vreo aten\u021bie \u00een timpul vie\u021bii. Numai cei din categoria a doua merit\u0103, s\u0103racul, toat\u0103 solicitudinea societ\u0103\u021bii – fiindc\u0103 scute\u0219te statul de orice cheltuieli \u0219i onoruri postume.<\/p>\n

\u00centrebare:<\/strong> Recunoa\u0219te c\u0103 nu scrii, \u00een versuri, a\u0219a cum se scrie acum.
\nTop\u00e2rceanu:<\/strong> Aproape to\u021bi poe\u021bii no\u0219tri de azi au adoptat versul liber \u0219i celelalte procedee, mai pu\u021bin vizibile, ale \u0219colii moderniste. \u00cemi permit s\u0103 atrag aten\u021bia confra\u021bilor care le-am adoptat, c\u0103 \u0219coala literar\u0103 din care fac ei parte a intrat demult \u00een tradi\u021bie (…) \u0218colile literare s-au succedat at\u00e2t de repede \u00een ultima vreme la Paris, \u00eenc\u00e2t poetul valah care n-a avut alt\u0103 ambi\u021bie mai \u00eenalt\u0103 dec\u00e2t s\u0103 se \u021bin\u0103 \u00een pas cu moda, s-a trezit la urm\u0103, g\u00e2f\u00e2ind de alerg\u0103tur\u0103, \u00een situa\u021bia vi\u021belului din fabula cu poarta cea nou\u0103. Este oare numaidec\u00e2t tradi\u021bionalist acela care nu vrea s\u0103 imite moda? A rezista sugestiilor majorit\u0103\u021bii \u00een art\u0103 \u00eenseamn\u0103 mai degrab\u0103 a fi un spirit independent, un spirit de ini\u021biativ\u0103, nu de rutin\u0103 (…) Un punct important din profesia de credin\u021b\u0103 artistic\u0103 pe care Georges Duchamps o face \u00eentr-un interviu este urm\u0103torul: „Am \u00eenv\u0103\u021bat prin experien\u021ba personal\u0103 c\u0103 rolul de poet nu este acela de a discuta obscur despre lucruri clare, ci de a traduce clar, lucruri obscure”.<\/em> Dar eu am formulat aceast\u0103 p\u0103rere cu vreo 14 ani \u00eenainte, \u00eentr-un articol din Viata Rom\u00e2neasc\u0103 despre Eminescu, \u0219i am repetat-o de c\u00e2te ori am avut ocazie, gasind c\u0103 \u00een ea se rezum\u0103 critica \u00eentregului sistem care a permis invazia \u0219arlatanismului \u00een literatur\u0103.<\/p>\n

(…) \u00cen literatur\u0103, ca \u0219i \u00een via\u021b\u0103, ceea ce e morbid, neputincios \u0219i ur\u00e2t mirositor \u00eencepe s\u0103 nu mai atrag\u0103 ast\u0103zi. (…) Vrei s\u0103 \u0219tii pentru ce Shakespeare e cel mai mare dintre noi? Pentru c\u0103 a fost poate singurul om \u00eentreg care s-a r\u0103t\u0103cit \u00een tagma noastra. De aceea personajele pe care le-a creat geniul lui sunt p\u00e2n\u0103 ast\u0103zi at\u00e2t de vii \u0219i au aerul c\u0103 nu vor \u00eemb\u0103tr\u00e2ni literar niciodat\u0103, pentru c\u0103 sunt individualit\u0103\u021bi puternice, de esen\u021b\u0103 normal\u0103. Daca e adev\u0103rat c\u0103 omul a fost la \u00eenceput maimu\u021b\u0103, e firesc s\u0103 ne \u00eenchipuim ca evolu\u021bia speciei umane tinde spre realizarea unui tip superior.<\/p>\n

\u00centrebare:<\/strong> Spune-mi care-\u021bi sunt poe\u021bii rom\u00e2ni prefera\u021bi?
\nTop\u00e2rceanu:<\/strong> Preferin\u021bele mele personale nu au nicio importan\u021b\u0103. (…) \u0218tii c\u0103 sunt unii poe\u021bi care au darul s\u0103 exprime, uneori cu anticipa\u021bie, ceea ce este la un moment dat pe primul plan al con\u0219tiin\u021bei grupului etnic (sau chiar zoologic) din care fac parte. Noi, rom\u00e2nii, am avut cel pu\u021bin trei poe\u021bi de acest fel. E semnificativ c\u0103, r\u00e2nd pe r\u00e2nd, imitatorii modelor str\u0103ine au \u00eencercat s\u0103-i deprecieze. Eminescu a fost batjocorit prin pana lui Macedonski \u0219i a altora. Despre poeziile lui Co\u0219buc, o mic\u0103 sec\u0103tur\u0103 constructivist\u0103 a scris c\u0103 nu sunt dec\u00e2t ni\u0219te grosolane cromolitografii. Iar poezia lui Octavian Goga, care are \u00een ea ceva s\u0103lbatic, primitiv, de o rafinat\u0103 simplicitate inaccesibil\u0103 papagalilor no\u0219tri articula\u021bi, a fost \u00eentotdeauna depreciat\u0103 de ace\u0219tia cu glas tare, p\u00e2n\u0103 \u00een ziua c\u00e2nd poetul a devenit ministru al Artelor. (…) Arghezi e o f\u0103ptur\u0103 prea complex\u0103, ca s\u0103 po\u021bi vorbi de el numai \u00een treac\u0103t. Minulescu e un poet francez, care scrie din \u00eent\u00e2mplare \u00een rom\u00e2ne\u0219te.<\/p>\n

\u00centrebare:<\/strong> Dar prozatori?
\nTop\u00e2rceanu:<\/strong> Caragiale a fost, desigur, cel mai mare artist al prozei noastre literare. Minte ager\u0103, spirit lucid, me\u0219te\u0219ugar incomparabil. Dac\u0103 anume nuan\u021be ale realit\u0103\u021bilor de la noi \u0219i expresia literar\u0103 corespunz\u0103toare ar putea fi \u00een\u021belese de str\u0103ini, Caragiale ar fi ast\u0103zi un scriitor european. Cam acela\u0219 lucru s-ar putea spune \u0219i despre Sadoveanu. Mai pu\u021bin dur\u0103, mai direct izvor\u00e2t\u0103 parc\u0103 din sufletul bl\u00e2nd \u0219i nostalgic al poporului nostru, opera lui Sadoveanu a introdus \u00een proza literar\u0103 rom\u00e2n\u0103 o imens\u0103 bog\u0103\u021bie de forme \u0219i de motive inexplorate p\u00e2n\u0103 la el.<\/p>\n","protected":false},"excerpt":{"rendered":"

Autor al „Baladelor vesele \u015fi triste”, dar \u015fi a altor opere literare cunoscute, George Top\u00e2rceanu a fost un poet, prozator, memorialist, publicist \u0219i traduc\u0103tor rom\u00e2n printre cei mai de seam\u0103 ai literaturii noastre. A fost c\u0103s\u0103torit, dar c\u0103snicia sa se … <\/p>\n

Cititi mai multe<\/a><\/p>\n","protected":false},"author":1,"featured_media":88656,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[1051,18606,9798,18607,213,4823,2499,607,18605,12718,18603,215,18604,7722,34,64,18602,17827,4352],"class_list":["post-88655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-caragiale","tag-cosbuc","tag-cultura","tag-demostene-botez","tag-eminescu","tag-interviu","tag-macedonski","tag-ministru","tag-minulescu","tag-octavian-goga","tag-otilia-cazimir","tag-poet","tag-prozator","tag-sadoveanu","tag-scriitor","tag-shakespeare","tag-toparceanu","tag-tudor-arghezi","tag-versuri","resize-featured-image"],"yoast_head":"\nMarele poet Top\u00e2rceanu \u00ee\u015fi dezv\u0103luie o parte din secrete \u00eentr-un interviu memoriabil din 1926 - Secretele lui Lovendal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lovendal.ro\/wp52\/marele-poet-toparceanu-isi-dezvaluie-o-parte-din-secrete-intr-un-interviu-memoriabil-din-1926\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marele poet Top\u00e2rceanu \u00ee\u015fi dezv\u0103luie o parte din secrete \u00eentr-un interviu memoriabil din 1926\" \/>\n<meta property=\"og:description\" content=\"Autor al „Baladelor vesele \u015fi triste”, dar \u015fi a altor opere literare cunoscute, George Top\u00e2rceanu a fost un poet, prozator, memorialist, publicist \u0219i traduc\u0103tor rom\u00e2n printre cei mai de seam\u0103 ai literaturii noastre. 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A fost c\u0103s\u0103torit, dar c\u0103snicia sa se ... 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