{"id":12848,"date":"2010-05-30T17:13:32","date_gmt":"2010-05-30T14:13:32","guid":{"rendered":"http:\/\/www.lovendal.net\/wp52\/?p=12848"},"modified":"2020-06-26T12:22:20","modified_gmt":"2020-06-26T09:22:20","slug":"lady-gaga-papusa-illuminati-partea-3-manipularea-mintii-din-videoclipul-telephone","status":"publish","type":"post","link":"https:\/\/www.lovendal.ro\/wp52\/lady-gaga-papusa-illuminati-partea-3-manipularea-mintii-din-videoclipul-telephone\/","title":{"rendered":"Lady Gaga, p\u0103pu\u015fa Illuminati (partea 3): manipularea min\u0163ii din videoclipul „Telephone”"},"content":{"rendered":"

\"Lady<\/a>Mai sunt unii oameni (destul de inocen\u0163i i-a\u015f numi) care \u00eenc\u0103 tot nu cred c\u0103 Lady Gaga ar fi instrumentul perfect de manipulare a maselor de c\u0103tre for\u0163ele oculte. Dac\u0103 nu au fost convin\u015fi de aceste dou\u0103 articole (Lady Gaga, p\u0103pu\u015fa Illuminati, sau cum po\u0163i controla mintea uman\u0103<\/a><\/strong><\/span> \u015fi Lady Gaga, p\u0103pu\u015fa Illuminati (partea 2): s\u0103 dans\u0103m pe t\u0103r\u00e2mul ocult<\/a><\/strong><\/span> – unde au fost prezentate dovezi mai mult dec\u00e2t conving\u0103toare), poate c\u0103 articolul de fa\u0163\u0103 \u00eei va face s\u0103 deschid\u0103 mai bine ochii.<\/p>\n

E vorba despre analiza videoclipului de 9 minute „Telephone” al lui Lady Gaga, ap\u0103rut la \u00eenceputul anului 2010. \u00cen afara esteticii foarte ciudate a acestui videoclip, dincolo de el se ascund niveluri mult mai profunde de interpret\u0103ri.\u00a0 C\u0103ci, \u00eentr-adev\u0103r, videoclipul „Telephone” se refer\u0103 la manipularea min\u0163ii \u015fi, \u00een mod specific la programul Monarch, o tehnic\u0103 de manipulare folosit\u0103, nu de pu\u0163ine ori, \u00een industria de divertisment. \u015ei culmea e c\u0103 regizorul lui „Telephone”, e acela\u015fi suedez Jonas Akerlund, cel care a regizat \u015fi videoclipul „Paparazzi” al lui Lady Gaga, \u015fi care a f\u0103cut parte \u00een anii \u201880 din forma\u0163ia suedez\u0103 de black metal \u201cBathory\u201d, foarte cunoscut\u0103 pentru versurile sale sataniste. S\u0103 amintim doar un singur album al acestei forma\u0163ii „The Return of the Darkness and Evil” (1985)<\/strong><\/span><\/a>, adic\u0103 „\u00centoarcerea \u00eentunericului \u015fi a r\u0103ului”. Numele albumului spune totul, nu-i a\u015fa?<\/p>\n

\"Jonas<\/a>
Jonas Akerlund<\/figcaption><\/figure>\n

Re\u00eentorc\u00e2ndu-ne la videoclipul „Telephone”, Lady Gaga, ca \u015fi \u00een „Paparazzi”, joac\u0103 acela\u015fi rol: de p\u0103pu\u015f\u0103 controlat\u0103 de al\u0163ii \u015fi care ucide oamenii. Iar Lady Gaga nu ne-a explicat niciodat\u0103 deschis ce semnifica\u0163ie are acest videoclip, pentru c\u0103 se urm\u0103re\u015fte ca el s\u0103 nu fie \u00een\u0163eles de marea mas\u0103 a oamenilor.<\/p>\n

C\u00e2nd ascul\u0163i pentru prima dat\u0103 piesa „Telephone” la radio, te g\u00e2nde\u015fti c\u0103 nu e dec\u00e2t o melodie obi\u015fnuit\u0103 \u00een care Lady Gaga prime\u015fte telefoane de la un prieten gelos \u015fi enervant, \u00een timp ce ea se afl\u0103 \u00eentr-un club. Acest lucru e reliefat \u015fi de primele versuri<\/strong><\/span><\/a> din c\u00e2ntec:<\/p>\n

„Hello, hello, baby;
\nYou called, I can’t hear a thing.
\nI have got no service
\nin the club, you see, see\u2026
\nWha-Wha-What did you say?
\nOh, you’re breaking up on me\u2026
\nSorry, I cannot hear you,
\nI’m kinda busy”.<\/em><\/p><\/blockquote>\n

Adic\u0103, tradus mot-a-mot, ar suna ceva de genul:<\/p>\n

„Alo, alo, iubitule,<\/em>
\nAi sunat, dar eu nimic n-aud,<\/em>
\nPentru c\u0103 n-am semnal \u00een club.<\/em>
\nO, vrei s-o rupi cu mine…<\/em>
\n\u00cemi pare r\u0103u, dar nu te-aud,<\/em>
\nC\u0103ci sunt cam ocupat\u0103”.<\/em><\/p><\/blockquote>\n

Doar ascult\u00e2nd aceste versuri, \u0163i-ai fi putut-o imagina pe Lady Gaga st\u00e2nd pe ringul de dans dintr-un club \u015fi ner\u0103spunz\u00e2nd la telefon. P\u00e2n\u0103 aici nimic ocult. Totu\u015fi, videoclipul lui Akerlund d\u0103 o nou\u0103 viziune acestui c\u00e2ntec. \u00centr-un interviu acordat portalului E Online<\/strong><\/span><\/a>, Lady Gaga \u00eens\u0103\u015fi \u00eencearc\u0103 s\u0103 explice acest fapt ciudat:<\/p>\n

„A fost ceva uimitor de tare \u00een ‘Papparazi’, unde este o muzic\u0103 pop de \u00eenalt\u0103 calitate (…) Jonas Akerlund, regizorul ambelor videoclipuri (‘Paparazzi’ \u015fi ‘Telephone’ – n.trad.), a atins aceast\u0103 \u00eenalt\u0103 calitate a muzicii. Eu am vrut s\u0103 fac\u0103 acela\u015fi lucru \u015fi cu acest videoclip (‘Telephone’ – n.trad.), al c\u0103rei melodie are un caracter superficial, dar el l-a transformat \u00een ceva mult mai profund”.<\/em><\/p><\/blockquote>\n

Ceea ce nu spune Lady Gaga \u00een acest interviu e faptul c\u0103 acest „mai profund” nu semnific\u0103 altceva dec\u00e2t procesul de control al min\u0163ii umane, un mecanism folosit uzual de marile armate ale lumii, de serviciile secrete (ca CIA), de unele secte religioase \u015fi de elita Illuminati. Scopul este ca fiin\u0163ele umane s\u0103 devin\u0103 sclavi din punct de vedere mental, cu scopul de a executa anumite sarcini specifice.<\/p>\n

Dac\u0103 \u00een videoclipul „Paparazzi”, Lady Gaga joac\u0103 rolul unei femei-sclave programate s\u0103-\u015fi otr\u0103veasc\u0103 \u015fi s\u0103-\u015fi ucid\u0103 iubitul, videoclipul „Telephone” reprezint\u0103 de fapt o continuare a pove\u015ftii de mai sus, c\u0103ci Gaga ajunge \u00een \u00eenchisoare pentru crima ei.<\/p>\n

De fapt, \u00een videoclip „telefonul” reprezint\u0103 o metafor\u0103 a creierului lui Lady Gaga, iar faptul c\u0103 ea nu r\u0103spunde la telefon (adic\u0103 la creier) sugereaz\u0103 faptul c\u0103 ea este „disociat\u0103” de realitate. Aceast\u0103 disociere este scopul suprem al programului de control al min\u0163ii Monarch. A\u015fa cum am explicat \u015fi \u00een acest articol \u201cVr\u0103jitorul din Oz\u201d, minunat\u0103 poveste pentru copii, dar plin\u0103 de semnifica\u0163ii oculte ascunse<\/a><\/strong><\/span>, \u00een cadrul proiectului Monarch, subiectul este expus unei traume at\u00e2t de violente, \u00eenc\u00e2t mintea sa creeaz\u0103 o separare. Mintea sa devine divizat\u0103, \u015fi astfel apare o nou\u0103 personalitate, modelat\u0103 de c\u0103tre manipulatori. Aceast\u0103 personalitate poate fi u\u015for folosit\u0103 pentru a duce la \u00eendeplinire anumite sarcini, ca de exemplu asasinarea unui om.<\/p>\n

S\u0103 citim pu\u0163in din cartea dr. Ellen P. Lacter – „Rela\u0163ia dintre programul de control al min\u0163ii \u015fi abuzul ritual”<\/strong><\/span><\/a>:<\/p>\n

„Programarea de control al min\u0163ii, bazat\u0103 pe traume, poate fi definit\u0103 ca o tortur\u0103 sistematic\u0103 ce blocheaz\u0103 capacitatea victimei de a fi con\u015ftient\u0103 (prin teroare, durere, durere, droguri, iluzionism, suprastimulare senzorial\u0103, lips\u0103 de oxigen, c\u0103ldur\u0103 sau frig extrem, stimularea creierului, experien\u0163e \u00een apropierea mor\u0163ii), care este apoi sugestionat\u0103 prin implantarea de g\u00e2nduri, ordine \u015fi percep\u0163ii \u00een mintea incon\u015ftient\u0103, determin\u00e2nd astfel victima s\u0103 fac\u0103, s\u0103 simt\u0103, s\u0103 g\u00e2ndeasc\u0103 sau s\u0103 perceap\u0103 lucrurile, a\u015fa cum dore\u015fte persoana manipulatoare. Obiectivul este acela ca victima s\u0103 urmeze ordinele, f\u0103r\u0103 s\u0103 fie con\u015ftient\u0103 de ceea ce face, indiferent dac\u0103 aceste ordine \u00eencalc\u0103 voin\u0163a sau principile morale \u015fi\u00a0 spirituale ale victimei”.<\/em><\/p><\/blockquote>\n

\"Telefonul<\/a>
Telefonul reprezint\u0103 mintea lui Lady Gaga. Ea nu raspunde la telefon, ceea ce reprezint\u0103, simbolic, starea sa mental\u0103 disociativa<\/figcaption><\/figure>\n

A\u015fadar, versurile melodiei care le-am tradus mai sus, cap\u0103t\u0103, \u00een contextul acestui videoclip, un alt \u00een\u0163eles. Dac\u0103 telefonul reprezint\u0103 mintea lui Lady Gaga (de fapt, mintea unui robot manipulat), atunci, clubul de dans este reprezentativ pentru starea sa disociativ\u0103, c\u0103ci acesta poate constitui „locul magic”, unde sclavii a c\u0103ror minte este controlat\u0103 de manipulatori, sunt \u00eenv\u0103\u0163a\u0163i s\u0103 se descarce \u00een timpul evenimentelor traumatice.<\/p>\n

\u00cen ceea ce prive\u015fte aceste versuri din melodie „\u00cemi pare r\u0103u, dar nu te-aud,<\/em> \/ C\u0103ci sunt cam ocupat\u0103”, <\/em>\u015fi ele cap\u0103t\u0103, \u00een acest context, o alt\u0103 semnifica\u0163ie. „Sunt cam ocupat\u0103” <\/em>poate \u00eensemna faptul c\u0103 Lady Gaga s-a disociat deja de realitate. „Iubitul” din „Alo, alo, iubitule” <\/em>reprezint\u0103, de fapt, realitatea, via\u0163a real\u0103, care o cheam\u0103 pe Lady Gaga s\u0103 revin\u0103 la via\u0163\u0103. Dar, a\u015fa cum spun versurile, \u00een continuare, „nu am semnal \u00een club”,<\/em> ceea ce \u00eenseamn\u0103 c\u0103 ea nu se afl\u0103 acolo.<\/p>\n

Versurile urm\u0103toare din melodie, cap\u0103t\u0103, \u00een aceast\u0103 nou\u0103 lumin\u0103, o semnifica\u0163ie \u015fi mai clar\u0103:<\/p>\n

\u201cStop callin\u2019, stop callin\u2019,
\nI don\u2019t wanna think anymore!
\nI left my head and my heart on the dance floor.
\nStop callin\u2019, stop callin,
\nI don\u2019t wanna talk anymore!
\nI left my head and my heart on the dance floor.\u201d<\/em><\/p><\/blockquote>\n

Tradus, ar \u00eensemna cam urm\u0103torul lucru:<\/p>\n

„Nu m\u0103 mai suna, nu m\u0103 mai suna,
\nNu vreau s\u0103 mai g\u00e2ndesc.
\nMi-am l\u0103sat capul \u015fi inima pe ringul de dans.
\nNu m\u0103 mai suna, nu m\u0103 mai suna,
\nNu mai vreau s\u0103 vorbesc.
\nMi-am l\u0103sat capul \u015fi inima pe ringul de dans”.<\/em><\/p><\/blockquote>\n

Lady Gaga nu mai g\u00e2nde\u015fte \u015fi nu mai vorbe\u015fte, c\u0103ci mintea \u015fi inima ei au fost disociate de personalitatea sa, datorit\u0103 programului Monarch.<\/p>\n

Revenind la videoclip (realizat \u00een stilul celebrului regizor Quentin Tarentino), acesta este unul cu adev\u0103rat ciudat \u015fi \u015focant, c\u0103ci, \u0163in\u00e2nd cont de versurile melodiei, pare c\u0103 n-are nicio leg\u0103tur\u0103 cu acest c\u00e2ntec. Dar, atunci c\u00e2nd tehnicile de control al min\u0163ii sunt aduse la lumin\u0103, simbolismul videoclipului devine evident, iar povestea sa devine mult mai coerent\u0103.<\/p>\n

Acest videoclip \u00eencepe cu intrarea lui Lady Gaga \u00een „\u00eenchisoarea t\u00e2rfelor”. Afl\u00e2ndu-se \u00een curtea \u00eenchisorii, Lady Gaga p\u0103\u015fe\u015fte \u00eenl\u0103n\u0163uit\u0103 \u015fi, ceea ce e ciudat e faptul c\u0103 ea poart\u0103 ni\u015fte ochelari de soare, realiza\u0163i din \u0163ig\u0103ri. Cum \u0163ig\u0103rile \u00eei acoper\u0103 ochii, acest lucru ar putea semnifica starea de orbire fa\u0163\u0103 de via\u0163a sa toxic\u0103, fiind o fiin\u0163\u0103 teleghidat\u0103 mental.<\/p>\n

\"Lady<\/a><\/p>\n

Mai departe, \u00een videoclip, lui Lady Gaga pare c\u0103-i place s\u0103 stea \u00een \u00eenchisoare. S\u0103 fie din cauza faptului c\u0103 ea este o sclav\u0103 ce ascult\u0103 comenzile care i se dau? Probabil c\u0103 da. Apoi, p\u00e2n\u0103 la urm\u0103, ea p\u0103r\u0103se\u015fte \u00eenchisoarea \u015fi ajunge \u00eentr-o ma\u015fin\u0103, unde discut\u0103 cu o alt\u0103 c\u00e2nt\u0103rea\u0163\u0103, Beyonce. \u00cen interiorul ma\u015finii, Gaga \u015fi cu Beyonce poart\u0103 un dialog, ca \u015fi cum ar fi dou\u0103 sclave controlate la nivelul min\u0163ii. O fraz\u0103 foarte interesant\u0103 atrage aten\u0163ia \u00een cadrul acestui dialog: „\u00cencrederea e ca o oglind\u0103. O po\u0163i repara dac\u0103 se sparge, dar cr\u0103p\u0103tura \u00eenc\u0103 o po\u0163i vedea”.<\/em> Poate fi vorba aici de un iubit care a \u00een\u015felat, dar, la fel de bine, poate fi vorba \u015fi de stric\u0103ciunea permanent\u0103 cauzat\u0103 de crearea multiplelor personalit\u0103\u0163i \u00een procesul de control al min\u0163ii.<\/p>\n

\u00cen continuare, \u00een videoclip Lady Gaga joac\u0103 rolul unei chelneri\u0163e care-\u015fi serve\u015fte clien\u0163ii la mas\u0103. Ea nu numai c\u0103-i serve\u015fte, dar…\u015fi-i otr\u0103ve\u015fte cu miere de albine. Oamenii sunt otr\u0103vi\u0163i \u015fi mor pe capete. Acest lucru poate semnifica faptul c\u0103 elita francmasonic\u0103 Illuminati „otr\u0103vesc” masele cu o mass-medie toxic\u0103.<\/p>\n

Foarte interesant e faptul c\u0103 \u00een dialogurile din ma\u015fin\u0103, Lady Gaga \u00eei spune lui Beyonce „Miere de albine”, ceea ce aduce aminte de mierea otr\u0103vit\u0103 cu care sunt otr\u0103vi\u0163i clien\u0163ii, dar poate \u00eensemna faptul c\u0103 „mierea otr\u0103vit\u0103” a lui Gaga \u015fi Beyonce reprezint\u0103 muzica \u015fi videoclipurile cu ajutorul c\u0103rora publicul este „intoxicat”.<\/p>\n

\u00cen timp ce clien\u0163ii agonizeaz\u0103 \u015fi mor, Beyonce \u00ee\u015fi pune ochelarii de soare gen „Mickey Mouse”, exact acela\u015fi tip de ochelari fiind folosi\u0163i de Gaga \u015fi \u00een videoclipul „Paparazzi”, atunci c\u00e2nd \u00ee\u015fi omoar\u0103 iubitul.<\/p>\n

\"Beyonce<\/a>
Beyonce purtand ochelari Mickey Mouse<\/figcaption><\/figure>\n
\"Lady<\/a>
Lady Gaga purtand ochelari Mickey Mouse in ‘Paparazzi’<\/figcaption><\/figure>\n

\u00cen ambele videoclipuri, c\u00e2nt\u0103re\u0163ele poart\u0103 ochelari de soare, \u00een timp ce sunt \u00eenf\u0103ptuite crimele, ceea ce semnific\u0103 faptul c\u0103 ele sunt programate s\u0103 omoare oameni. Acest lucru nu este deloc \u00eent\u00e2mpl\u0103tor, \u00eentruc\u00e2t urechile lui Mickey Mouse semnific\u0103, din punct de vedere ocult, controlul min\u0163ii, toate produc\u0163iile lui Walt Disney fiind cunoscute pentru manipularea \u015fi ocultismul pe care le creeaz\u0103.<\/p>\n

Dup\u0103 ce danseaz\u0103, \u00eempreun\u0103 cu Beyonce, \u00een jurul cadavrelor f\u0103r\u0103 via\u0163\u0103, Lady Gaga pleac\u0103 de la locul crimei \u015fi este prezentat\u0103 apoi prezentat\u0103 \u00eentr-un costum de leopard.<\/p>\n

\"Lady<\/a><\/p>\n

\u00cen concluzie, videoclipul de la „Telephone” este \u00eenc\u0103 o dovad\u0103 care demonstreaz\u0103 c\u0103 produc\u0163iile lui Lady Gaga sunt pline de referin\u0163e cu privire la controlul min\u0163ii \u015fi la simbolismul Illuminati. Exemplul oferit de Gaga nu este unul pozitiv. Videoclipul poate spune un lucru simplu: lumea este preg\u0103tit\u0103 s\u0103 \u00eenghit\u0103 orice prostie sau manipulare pe care elitele oculte o servesc, \u015fi acest lucru este realizat prin intermediul p\u0103pu\u015filor controlate de c\u0103tre ei. A\u015fa cum este \u015fi Lady Gaga. Iar noi, s\u0103 nu urm\u0103m exemplul lui Gaga \u015fi s\u0103 spunem „Nu vrem s\u0103 mai g\u00e2ndim!”<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Mai sunt unii oameni (destul de inocen\u0163i i-a\u015f numi) care \u00eenc\u0103 tot nu cred c\u0103 Lady Gaga ar fi instrumentul perfect de manipulare a maselor de c\u0103tre for\u0163ele oculte. Dac\u0103 nu au fost convin\u015fi de aceste dou\u0103 articole (Lady Gaga, … <\/p>\n

Cititi mai multe<\/a><\/p>\n","protected":false},"author":1,"featured_media":12849,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[475],"tags":[3265,53,358,1289,164,2041,3267,8,1656,30,2399,1686,31,2044,3266,1312,21,2042],"class_list":["post-12848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conspiratii-mistere","tag-beyonce","tag-cia","tag-conspiratii-si-mistere","tag-illuminati","tag-inchisoare","tag-lady-gaga","tag-leopard","tag-manipulare","tag-miere","tag-muzica","tag-ochelari","tag-oglinda","tag-otrava","tag-proiectul-monarch","tag-tarantino","tag-telefon","tag-tigari","tag-videoclip","resize-featured-image"],"yoast_head":"\nLady Gaga, p\u0103pu\u015fa Illuminati (partea 3): manipularea min\u0163ii din videoclipul "Telephone" - Secretele lui Lovendal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lovendal.ro\/wp52\/lady-gaga-papusa-illuminati-partea-3-manipularea-mintii-din-videoclipul-telephone\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lady Gaga, p\u0103pu\u015fa Illuminati (partea 3): manipularea min\u0163ii din videoclipul "Telephone"\" \/>\n<meta property=\"og:description\" content=\"Mai sunt unii oameni (destul de inocen\u0163i i-a\u015f numi) care \u00eenc\u0103 tot nu cred c\u0103 Lady Gaga ar fi instrumentul perfect de manipulare a maselor de c\u0103tre for\u0163ele oculte. Dac\u0103 nu au fost convin\u015fi de aceste dou\u0103 articole (Lady Gaga, ... 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